When speaking to writers’ groups or other authors, I always end up in debates about sharing our work.

• “I don’t want others to know what I’m working on.”
• “No one needs to see this drivel before it’s ready.”
• “I don’t want my ideas stolen.”

Do any of these comments sound familiar?

Writers, seriously, let go of the fear and embrace the concept of sharing. The word means “to give a portion of something to others” and “to use, occupy, or enjoy jointly with others.” In our case as writers, we give, use and enjoy. Or, we should. Why?

First, let me debunk a myth about if you share your work before it’s copywritten, it will be stolen and you’ll be out of luck. Really? Are you that good? If so, why are you worried? Get that superior thing to your agent and publisher right now! What’s that? You don’t have either one? Then listen up. There is nothing left to write that’s original. Like music, everything’s been done. Your job is to find a way to make what’s been done, unique. You change characters, change settings, change time periods, change the ending, etc. All the plots have been done, it’s what YOU do with your idea that makes your story yours. No one can tell your tale like you, even if they try to do it before you. They can’t write what you write, the way you write it. So, relax and share.

Now, why share?

• First, sharing your work build confidence in your abilities. I was very insecure when I started writing and it took all my bravery to offer my work to someone. What if they hated it? What if it turned out I couldn’t write? Sharing builds confidence in self. No matter what is said, you will learn to trust in your ability with time. The confidence you find in feedback and in connections will prove to be invaluable.
• Next, sharing toughens you. Building on the first reason, writers have to develop confidence but along the way, the criticism toughens the emotional skin and allows the writer to actually learn from mistakes. Hearing what you’ve done wrong is hard but continuing to do it wrong because you’ve never been told is worse!
• Following with the criticism, sharing gives you invaluable feedback. How well is your work received? Do your readers like your characters? Is your genre hitting the mark or falling flat? Is this something others would buy? This kind of feedback is critical to your future success.
• Sharing can also be inspiring. As you offer your work, others will offer to you. You see what they write and how. You read new ways to approach subjects and maybe are inspired by exciting new characters. Perhaps you discover a new genre or a new approach to an old one. Maybe the quality of someone’s writing sparks your muse. Those discoveries don’t happen without sharing.
• Finally, sharing means entering competitions. Start small if you feel insecure. Local or regional contests. Then branch out as your writing improves. Collect feedback from teachers and judges. Learn to revise and compete again.

One last point of sharing that experienced writers and authors know is the value of the beta reader. You must use beta readers if you want to be published. Beta readers are people who look over your manuscript and are those extra eyes reading for content mistakes, plot holes, grammar and punctuation misses, oddities (like missed hyphens and oxford commas), and overall appeal. Beta readers tell you what works and doesn’t and why. They are critical to a book’s success. And if you don’t share, they can’t care and you don’t win.

I’ve been writing and sharing for a long time and I still get shivers when I hand writing to someone else for a critique or a cold read. Nerves mean you care about your work and it matters what is said. That’s good.

Remember that nervous feeling when someone asks you to read something they have written. Be understanding and thorough because they are depending on you, just as you have on others.

Sharing is caring, folks, about your work and the responses to it. That kind of caring will only make for wonderful improvements. For writers and authors that’s money in the bank. For readers, that’s great books! And that’s win/win for everyone. So be not afraid. Share!

Thanks for stopping by,
Yours Between the Lines,
Sherry

PS Next time, sneak peek into the new novella!

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****The following items will always appear to keep you posted on activities.*****

WIP (Works in Progress):

– Writer’s Workbook – Learning to Write Everyday – Beginners Volume  (expected July 2017)
– first novel in the Evening Bower series, about vampires and other supernatural creatures (Nov 2017)
– prequel novella to the Bower series (May 2017)
– four-part fairy story (part one complete) (Christmas 2017)

On the Desk: (next reading): nothing yet

Off the Desk (book just finished): A Conjuring of Light by VE Schwab

Coming Soon: More tips while writing that novel/Interviews/Odd Thoughts/Book Review

Happy New Year and welcome 2017!

First, allow me to apologize for letting this blog slide for so long. I have been busy writing, just not here. This is my first resolution to change and what I want to discuss with you.

Every new year folks come up with all manner of promises and resolutions. Many last a few months, but most only last about two or three weeks. I’ve been bad at follow through, I confess. I promise and then life distracts, writing distracts, people divert and pretty soon I have forgotten and dust collects. I always resolve to do better and no,I don’t expect anyone to believe me at this juncture. But I’ve changed. Attitudes, plans, style…and only showing you will demonstrate!

Change is what the future is all about and why we try to make resolutions. But sometimes the future is change enough all by itself. The past holds us down (or in place), but the future is fluid, changeable, unwritten, unknown, overflowing with possibilities and promises. The future brings all and we don’t actually need to exert promises because the very nature of “the future” is going to do that for us. We are just too untrusting and impatient to believe in it, so we fill the air and our hearts with wishes and expectations. Most of the time this leads to letdowns. I’m not going to do that to myself or to you.

I believe in the future, despite the heartaches of the past, the disappointments, the trials, the deaths, the hate and fear, the sense of loss and confusion. I believe in it so much that I came back here with determination and hope because I believe in the future. You’ll see soon enough. The future promises that you’ll see more of me and often. Just wait and see. I’m excited!

Right now, please allow me to thank you for supporting me over the past year. I published two books – two!  – The Book of Now (nonfiction poetry), and Breaking the Glass Slipper (fictional memoir). I hope you’ll choose to read one of them and let me know what you think. In the future, I’m going to be talking about the how and whys of each book and maybe inspire you to write your own.

As for the future of 2017 — look forward to books about vampires! Yes the Evening Bower Saga begins this year! You’ll see more of our friend Drahomira as well as Rhea, Jean-Louis, Destin, and so many others!

So we’re looking to the future now. It will bring changes. Stay tuned to see how those unfold. And I will promise you one thing — you’ll like what you discover!  Keep an eye to the Press and Media page for information on upcoming signings, along with links to radio interviews and guest blogging (I’m working on updates now and will have them up in a day or two).

On behalf of my vampires who are anxious to come out and play, I wish you a VERY Happy New Year. Now lean in…my vampires want a New Year’s Kiss….

And I remain, as always,
Yours Between the Lines,
Sherry

(The post originally appeared in Kerry Adrienne’s blog as Poetry Can Work Against Social Injustice, but I changed the title here to reflect a positive stance)

Poetry Can Work For Social Justice

I’m delighted to announce the release of my new book, The Book of Now, a volume of nonfiction poetry on subjects ripped from today’s headlines. This book covers social issues and contends that we must be more aware and responsible for these issues in order to find a way to correct or right these problems.

Now before you roll your eyes and groan, “oh not poetry,” wait! This poetry can be a powerful force for good!

Forbes Magazine has long highlighted poetry with responsibility. Take for example an article Jul 9, 2010 about Poetry and Pollution. The newly announced poet laureate (then) W.S. Merwin wrote of ecological disasters.

But Merwin is by far not the first to use his pen and write with a “social responsibility.”

In literature, where we seek social justice, first you have to understand what is meant by social responsibility. The best definition I ever read was, “the awareness of social injustice, from the local to the global, necessitates specific actions to combat those injustices. In other words, social responsibility and social activism are inextricably intertwined; once aware of the injustice, one is morally obliged to act.” (Naomi Benaron, author, 2012).

For fiction writers, there is a long history of literature intertwined with a need to highlight social responsibility and therefore find social justice. From Quixote, Dickens and Jane Austin through more current folks like Parsipur, Merwin, and Lucia Mann. There is a compelling need for writers to seek answers in the darkness and to speak out with authority whenever possible to shine light, right wrongs, and seek betterment.

But what of the poet? What makes the poet separate from the fiction writer? And are they more or less powerful with the pen?

I think it begins with a belief that social responsibility begins with children. What better way to send a message than a poem that one can remember, recite, and then remember forever? Besides understanding that poetry has always been a voice in the dark, finding those lights shows us how much social injustice has been highlighted in poetry.

Once Chinese immigrants were incarcerated at Angel Island, California during the early 1900s. They wrote their poetry on the walls, despite being told not to. Their poetry filled the halls of their prison and became known as the “talking walls.” From these walls, we learned of their belief in a right to freedom. And that they believed no one has the right to restrict their right to protest injustice. Their poetry was a powerful tool. Here is a short quote from one of the Chinese poems:

“For days I have been without freedom on Island.
In reduced circumstances now, I mingle with the prisoners.
Grievances fill my belly; I rely on poetry to express them.”

The beautiful language highlighted the impoverished conditions and sparked a need for a more fair and just society.

Another desirable aspect of poetry is its ability to present ideals and stress a position, to step off neutrality without the ugliness. There is a responsibility in our country to propose freedom and democracy. Political dictators and oppressionists have attacked these sorts of poets because they find social injustice poetry to be dangerously seditious. Which is exactly why I – and so many others — find it powerful.

Those young Chinese poets also did not take their use of poetry lightly. There was nothing common or funny about the literary tool. In their culture, poetry is the preferred method for highlighting social injustice. This is what makes their “talking walls” so important, that they leaned on their culture as they sought to expose social injustice. It also comforted them, giving something familiar.

Most of all, I think the power of poetry exposing social injustice comes in humanizing issues and reaching people on an emotional level. Poetry allows us to gently empathize, find common ground and to make what is scary or heinous more touchable. Again, it starts with children, learning to deal with social isolation, bullying, differences, and finding understanding in diversity. Shel Silverstein and Dr. Seuss did it for children and made it easy to remember. Maya Angelou made it easy for adults to understand and want to do better.

This was exactly my thought when I wrote The Book of Now. Not that it could be for children, because truthfully it is too harsh for little kids. But that I can cover terrorism, bullying, abuse, political bigotry and so many other harsh and divisive issues while pointing out the need for and the power of diversity, understanding and knowledge.

Today’s important poets have shown me the way. From Swiss poet Daniele Pantano, Harlem Renaissance poet Langston Hughes, to U.S. Poet Laureate Juan Felipe Herrera, poetry ignites the issues and sparks a need for change. And these changes may simply be in how we view an issue, more enlightened, more open-minded, more resolved.

I certainly don’t expect to remake the world or create a tsunami of change. However, with my new book of poetry, I want others to see subtleties, discover new emotions, and open dialogues of change. There are controversial issues in The Book of Now. We have to be fearless and open-minded if we are going to make this world a better place. Poetry is my way of highlighting social injustices and directing where our social responsibility might be. I think poets make the unpalatable more digestible, because they do it with compassion inside their honesty.

I content that poets believe in possibilities. Like me, The Book of Now does, too. I hope the message resonates with some of you and that you will take up the banner against the social injustices highlighted in The Book of Now. Join an illustrious population of people striving for a better world, and using poetry to do it!

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The Book of Now is available from my CreateSpace page, or you can order from the links on the book page or directly from online retailers.

OR if you want a signed copy, just fill out the form on the Contact Me page.

Thanks for stopping by!
I remain, yours Between the Lines,
Sherry 

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****The following items will always appear to keep you posted on activities.*****

WIP (Works in Progress):

Writer’s Workbook – Learning to Write Everyday – Beginners Volume  Release AUG 2016

– first novel in the Evening Bower series, about vampires and other supernatural creatures
– fictional memoir – November 2016!
– four-part fairy story (part one complete)

On the Desk: (next reading): TBD

Off the Desk (book just finished): A Toxic Trousseau (#8 in series) by Juliet Blackwell

Coming Soon:  Interview with new folks and more about upcoming projects. Plus meet my assistant (yes, you want details!)