(picture from the movie, Van Helsing)

Why I Write About Vampires

Those who know me know why I love to write about vampires — because there have been vampire myths in the history of every major country and continent in the world. I’ve had a fascination for these creatures since I was about seven. And that curious fascination is what caused me to begin what has become a lifetime of research. Since I was twenty and overseas, I have looked into the vampire mythos extensively. I’ve prowled libraries and read history books, visited mausoleums and churches, and walked many a dirt path of ancient abbeys. Every step was to discover the origin and possibility of the vampire, this creature that inhabited the culture and mythology of every continent.

For something that didn’t exist, it seems a strange thing to be found everywhere, don’t you think?

I thought so and that is why I fell in love with the vampire. It’s why I write about them. The possibilities of truth, the seduction of the legends, is compelling.

Of course, the word “vampire” didn’t exist in ancient times. The blood drinking, prowling night creatures were called ghouls, demons, spirits, Some were known as goddesses – like Lillith or Egypt’s Sekhemet, beings that craved the blood of babies and had a penchant for luring men to their beds.

Older even than Lillith is the Mesopotamian demon Anu or Gallu, also child-stealing and blood drinking, usually with animal forms.  But always a “she.” Even the Greek Gods (you know the ones we all hear about with Zeus?) had Lamia who supposedly slept with Zeus, was found out by Hera, punished as Hera killed all her children. As a result Lamia swore to kill every child and drink their blood. The Goddess Hecate had a daughter who was believed to be as a siren and seduced men before drinking their blood (sounds like our modern myths, yes?)

I’m sure you’ve heard tales of the Russian “upir” or the Romanian “strigas, or even the Jewish Estries continue the myth of the bloodsucker. Consider the word “leech” that comes from a Hebrew word “alukah.” In India, they had the vetalas, written in detail in their Sanskrit folktales. In Catalonia, there is the “Dip,” an evil vampire dog.

As if to capture our imaginations further, literature around the world can’t stop writing about the vampire creatures. From Homer’s Odyssey, thru the ancient Indian text Kathasaritsagara, and into Irish Le Fanu’s Carmilla to Stoker’s Dracula, every history, cultural myth and country would have you believe the vampire roamed their land if not their psyche.

Today, this trend continues and we celebrate our myth in more books and movies. Crypts are open and skeletons show us ghoulish possibilities. Historians continue to debate. And the search continues for proof of Dracula in the missing bones of Vlad the Impaler, who bore the Order of the Dracul.

Is it any wonder then why authors continue to offer vampiric delights (okay, except for sparkly vampires)? This is why the vampire is my study and my joy. This is my passion and why I write stories of vampires and the creatures they know. 

The trick is to tell the aged vampire myth in a way that has never been told. To seek out new myths in new civilizations. To boldly go where no vampire has gone before. (apologies to Gene Roddenberry).

There are other reasons for writing vampires beyond the idea of their immortality. There are the seductive aspects, even the sexual ones. But what fascinates me is the psychological ones: the manipulation, the physical possibilities, how the psyche must adapt, just to name a few. There are other books dealing with the influence of the vampire, and how it touched children and adults. Is it beautiful with ugly side effects? Or ugly with a beautiful heart? Does the vampire kill selectively or without prejudice, widely or like a lion with a hunting ground? Is it solitary and why or why not. Yes, the vampire has much to offer and this is why is continues to be fascinating. Many of these issues are in my books and my fiction addresses them.

This is why I write. Because with nearly every country in the world believing in such myths, how can all of them be a lie? I am seduced, enchanted, and teased by the possibility of truth. I consider it an honor to add my name to the immortal records of this legendary creature.

Vampires. Don’t look now but they’re watching you and the seduction continues.

Thanks for dropping by.
I remain, Yours Between the Lines,

Sherry

In other News:  

I am pleased to announce the release of a new anthology, Inspiration for Writers by Writers (Writing is Art Book 1). My perspective is in it as well as 13 other interesting authors. Give it a read (an ebook version is coming too). Click the picture to take the link.

Are You Using the Wrong Slang?

Writers are a quirky lot. We love to learn new things. Our web browser search histories are filled with oddities like phrases in Klingon, odorless poisons, how to build a rocket and where are most of the bodies buried? (Not really but it sounded good).

One mistake we writers often make, despite our best efforts, is we forget to use the appropriate language defined by the era we’re writing in. Many writers have confused Edwardian dress with Victorian, Asian with Roman, Slavic with Visigoth. Worse, were dialogue lives and makes our writing truly sing, we select the wrong words for our chosen timeline.

I know I’ve done it. I’ve referenced movies that hadn’t been made yet or used a slang term that was before my character’s birth.  In our effort to be real, we sometimes forget and use the words we are familiar with or words we’ve become accustomed to using, forgetting they were long before our time or our story’s.

Today I’m giving you some examples of slang terms from different eras, terms that NO ONE should be using anymore unless you need them for your stories. My advice to you is to be sure of your timeline and check yourself. Ask your beta readers to check too.

The age of your readers will determine how your language is absorbed. Old slang for young readers and you’re losing them (or worse, they know you are out of touch). Old slang for older readers and you’ve hooked them with your savvy. New slang for old readers and you’ve lost them as they turn pages looking to be grounded again. Words matter.

Here are some examples of things NO ONE SHOULD BE SAYING these days and words you should only use in the decades where they were born. Make your stories have truth and validity and be sparing.

From the 1950s where we used terms that were wordy, wanting to be heard and clever, pencil skirts, poodle skirts:

made in the shade
burn rubber
pad (not with an “I”
ankle biters
beat feet
cruisin’ for a bruisin’
wet rag
downer

From the 60s with Vietnam, the Beatles, bell bottoms and hippies:

far out
bummer
foxy
can you dig it
old lady (as in wife)
hang loose
lay it on me
split (as in leave)

From the 70s with pet rocks, Watergate, shag carpet and disco balls:

catch you on the flip side
The Man (meaning the police)
cool beans
spaz
chill pill
space cadet
out to lunch (meaning not right in the head or spacey)
keep on truckin’

From the 80s with shoulder pads, still smoking on planes, and sneakers without laces:

gag me with a spoon
Phat
gnarly
have a cow
Word!
tubular
bounce (as in leave)

From the 90s with slap bracelets, flannel and Skechers, and Pearl Jam:

schwing (Wayne’s World anyone?)
kick him to the curb
talk to the hand
as if!
booyah
Not! (took the place of “Psych!” which is also a no-no)
What-EVER
getting jiggy (thanks Will Smith)
you go girl!

You may find that you say many of these phrases. Sometimes we get them from growing up, the variety of our friends or simple habits from traveling. Use what you will but don’t do it when you write.

I find that I cross a multitude of decades. Must be my age. Or I’m well-traveled. Or I do it to confuse you. HA!

Remember, what you say dates you, your stories and your characters. Keep it real, dude (um, from the 90s!)

Thanks to Best Life online for the references!

Thanks for coming by,
I remain, Yours Between the Lines,

Sherry

Good Things to Know

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Proof Vampires Are Real

A few days ago, I read an article in Ars Technica about some archeologists who discovered the burial of a 10 yr old child in a 5th century Roman site in Italy. The child was buried with a rock in its mouth. This practice was done to keep the body from rising from the grave. It is believed the child died from malaria and the rock was to prevent the child from returning and spreading the disease.

picture by David Picked of Stanford University

The locals are calling this corpse the Vampire of Lugnano and is believed to be one of the more unusual preventatives to a body from rising and wreaking havoc like spreading disease to the living. It goes to the belief that vampires must be, might be, could have been, were believed to be, REAL.

I’ve studied this belief of, and in, vampires for over forty years and in every major civilization in every continent around the world. The legend of the vampire, or some version thereof, is deeply seeded in every culture with stories and legends, and makes one wonder if so many believed, why is the possibility of real vampirism also dismissed as a lie?

From the Ars article: QUOTE: Pretty much every culture on Earth has some version of a vampire (or proto-vampire) myth. Chinese folklore has the Jiang shi, [corrected] which are reanimated corpses that rise from the grave to prey on the living; one type has sharp fangs, the better to bite into the neck of said prey. Russian, Albanian, Indian, and Greek folklore have similar undead monsters. Russian villagers in the Middle Ages often drove stakes into the bodies of suspected vampires upon burial to keep them from rising again. UNQUOTE

Again, if so much is believed, then there must be some truth just out of reach. Other cemeteries have odd practices, and it is believed that the Romans even used witchcraft to spell the evil to stay within the bodies. However, burials with stones in the mouth is very eerie and uncommon and drew a great deal of attention to this excavation.

There was a previous discovery of a burial where a 16th century Italian woman was buried with a brick in her mouth. She was discovered in 2009 and the discoverers named her the Vampire of Venice. (Photo courtesy of National Geographic Television)

Archeologists learn a great deal about a civilization’s culture from the way they bury their dead. The dead do not bury themselves, therefore, how a people perceive death and the possibilities of what happens after death, are telling in these discoveries.

Again, I have to ask, with so many cultures afraid of the chance of rising from the grave, of a chance that vampires may be near, why are we so quick to scoff at such a fear?

VIVISEPULTURE

You know the English used to bury their dead with a rope in the coffin tied to a bell up above. If you woke and proved you weren’t dead, you pulled the rope and it rang the bell above. Truth was there weren’t any documented cased who were saved from suffocation in their coffins. But some of those buried rose without ever ringing the bell and families have told tales. And they were never found again. Thus buried alive, vivisepulture, was the precursor to vampirism. Embalming seemed to correct this problem. Still, families did dig up their family members to check to see if they were truly dead. Many did not go back into the ground. Why not?

Picture of Safety Cross, courtesy of Kimberly Bannister

I believe Vampires are real. There are too many cultures afraid to be less than the truth. 

If you are a writer and you want to give new life to a tired trope like the vampire, consider the realities of a culture and their long-held beliefs in superstitions. There is always a bit of truth in every legend. Find it and give new life to your stories. Every day there are new discoveries that give a twist to the vampire mythos. Make use of them, be inventive, surprise us. History certainly does, so why not you?

New life. Like the vampires. A Legend that will not die because they don’t.

Something to think about late at night. Perhaps while you write. Or read. Listen for the bells.

___________________________________________________________________

Yours Between the Lines,

Sherry