Poetry Ebook Giveaway!

Good Thursday afternoon April 11, 2019!

If you read and follow me here and on Facebook, Instagram, and/or Twitter, you know I’m doing surprise giveaways this month for National Poetry Month. There was one on my Facebook Author page (closed now).

When I was learning about poetry, a teacher turned me on to Sara Teasdale. One of my favorite poems of hers 

And if you are reading this, you can win a Kindle ebook of The Poetry of Sara Teasdale.

******All you need to do is comment with your thoughts on the above poem and tell me what it means to you. I’ll return on SUNDAY APR 14 at noon to use Random.org and pick a winner.*******

So leave your entry in the comments!! I’ll come back on Sunday and post the announcement.

(Ps. stay tuned to my Instagram, Twitter and Facebook pages for more surprise giveaways!)

Yours in poetry, Between the Lines,

Sherry

Details Make (or Break) Your Novel

Details Make (or break) Your Novel

I know you’ve heard the saying “it’s the little things that count,” or “the devil’s in the details.” Well, never has that been more true than when writing a novel.

Finely crafted details develop the reader’s world and keep them under your story’s spell.

Too many details or using the wrong ones, and your readers are flipping pages in bored and confused frustration as they search for meaningful information and a return to the plot.

If you want to talk about the omelet the sexy chef is making, we probably need to know about the ingredients but not intricate details about the pan. We may need to know about the stove if it is extraordinary (wood burning?) but not the convection oven. See?

Here are rules I’ve learned on what details to include, how much and when:

DO include details that support your character’s life as long as it helps us understand the personality or motivation. Maybe an assassin once won an award in archery in school.  DON’T describe looks that have no importance. We want to identify the villain soon as possible but maybe all we need to know about is the odd scar on his neck or tattoo on his finger. No need to get into detail about the gray eyes if we never see them or they don’t matter to the story.

DO concentrate on emotions. When people speak, they move. Eyebrows go up. Lips purse. Jaw muscles tighten. DON’T spend so much time emoting that we forget what we’re supposed to be doing or where we’re going. Emotions need to fit the scene and the people important to the moment. Forget the shock of the bus boy and consider the robber’s shock when he realizes he’s been captured. DO interject humor or pathos whenever you can. DON’T assume that because you don’t feel it that we will. If you don’t, we probably won’t either. Your passion must translate to the story and if it does the readers will feel it.

DO go for details that set you above the fray. Be original. Be unusual. DON’T be afraid to break tropes and set your world apart from what’s out there. Every witch has the same items and the same spell book. But instead of a cat or a gargoyle, who has a pet moth? The soaps show women always walking around their homes in high heels. What if your thing is a pair of 60’s go-go boots?

Most often forgotten are the senses. We readers love to know what the world is like, but how does it smell, or what colors are there? How does it feel? Silk or sandpaper? DO give us a complete sense of what the world is and DON’T give us more than we need for the moment. Share the rest of the details as we move through the story and experience what we need when we need it.

Too many details can be your story’s undoing. Give your readers richness and make your readers crave more. Give them too much and the gluttony will drive them away. Being sated on details is good. Being bloated is bad. (and they don’t make a Gas-X for that).

It is very true that details are the key to everything: a good suit, a tasty lasagna, and a book you can’t put down. Choose your details wisely and use smartly. And the result might produce a bestseller (I’m still trying!).

Thanks for coming by and keep writing!
Yours Between the Lines,

Sherry

5 Reasons You Stopped Writing

5 Reasons You Stopped Writing

Should I be ashamed if I don’t feel like writing today? What about for the entire week? Or a month? Am I losing my muse if I suddenly find myself not wanting to write?

First, NO. No, don’t feel ashamed if you need to step away. And don’t worry that you’ve lost your muse or your mojo or your ability to storytell, or any other nonsense.

I go through phases, too. There are days I can’t write fast enough, where the words flow like water and my fingers fly over the keyboard. Then there are those days when minutes tick by and I stare at the screen wondering what must come next. Most of the time, since I write every day, words are never far out of reach. Even on bad days. 

But I’m human. I get tired, sick, worried, caught up in the “real world.” There are days when I’m unhappy with a plot point or how the writing went the day prior and I don’t feel like dealing with it. I’m famous for taking a long break after participating in November’s National Novel Writing Month because November makes me tired and I want to forget a project for  a while.

A long time ago I learned how fragile and short life is and that I needed to take time for things other than writing. As a result, I stopped punishing myself when I didn’t feel like working on my current writing project, or writing the blog (this), or even journaling.

Some days I wanted to kick back and read. Some days I wanted to lie in bed and be sick. Other days I wanted to spend the entire day binging on Netflix. And I stopped punishing myself for wanting (or needing) to spend the day (or days) away from the desk.

HOWEVER (and you knew that was coming). If you’d rather spend more time away from your writing than writing, then there is more going on than being sick or tired. I’m not a book psychiatrist but usually when a writer stays away, there are real reasons. Here are the five most common ones as told to me by many writers:

     1. Fear. At some point we question whether or not we have “the chops” that it takes to sell a good book. We all get afraid that we don’t, then figure we don’t so we stop trying. Don’t listen to the doubt that creeps in. Keep pushing and trust yourself.
     2. Comparing. Stop comparing yourself to others. I know. It’s hard not to but stop. Comparing makes you feel insecure and inadequate and you’ll stop writing (see why at #1). Trust yourself. Each writer has something to contribute and you will find success if you work hard. Not everyone is going to be a NYT or USA Today best selling author. I know I have to prod myself on this one all the time. So listen to me. I’m an expert on this one.
     3. Worry that we aren’t going as fast as we “should.” Stop putting stress on yourself. Write for YOU and let it happen in its time. Some people can crank out six books a year. I’m a one or two book a year person. Many BIG authors are one book a year people. Do YOU. BE You. There is no “should.” Do not put extra stress or boundaries on yourself. That’s how you stress yourself needlessly.
     4. Time. Some people think they have to publish NOW. The sense of urgency is a false application due to #2 and #1.  I hear 20-somethings saying they have to write a book and get published. And then there is me who published her first book at age 59. Sure I was in small presses, newspapers, anthologies and online magazines but I felt I had to get a book out there or I never would. I applied terrible pressure on myself. Again. publish when its time. There is no rush but the one you put on yourself. Don’t do it until you’ve done your homework and done your very best work.
     5. Bored. This is the one we all dread. When doing nothing feels better than writing, then I might say you should worry. But I won’t. I think you need to change projects, try something new, write for a new medium. We writers tend to drift away when what we are writing stops exciting us. If that happens, then walk away from that project and start a new one. What you are writing should be an adventure for you each time you sit down to work. When it doesn’t feel good anymore, then take that break. It’s okay!
    
I write every day. Not everything I write will be published or be something I can (or would) share with others. I exercise my muse and attempt to keep her strong. But there will be days when I need a break. In that case, recharge. I believe we all need to step away, see new things, go new places, discover new vistas and meet new people. This is how our writing continues to be fresh and exciting. We must feed the muse new stuff. Or it, like us, gets bored and stale.

Don’t feel like writing today? Discover why and then forgive yourself. There will be days when you are sick, or just tired. It’s okay! There will be days when the kids need more from you than writing does. It’s okay! There will be days when you want to read someone else’s book. It’s okay.

Stop punishing yourself for needing change or a break. But do recognize what is truly happening and don’t allow yourself to stop writing for the wrong (unnecessary) reasons.

You have much to offer. So do I. Everything has intermissions, pauses, breaks, time outs. Allow yourself to enjoy them and your writing will endure.

(Don’ forget, even championship contests have overtime. You can do that too).

Don’t feel like writing today? Fine. Then go fly a kite. I’m going to bake some bread. The break will do us both good. Just remember, this is guilt free. Tomorrow, we’ll be back at it again.

Thanks for reading.
I remain, Yours Between the Lines,

Sherry